
Introducing & Testing A New Workflow (Printer Light Journal: Part 2)
In my previous blog post, I talked about this insight I gained during working on a difficult project. Restricting myself to using only the offset tool allowed me to color a project while at the same time keeping the photographic intent of a project intact. It made for a more cohesive look. In addition, I came to the end result much faster than I was used to. In short: the use of the offset tool had many advantages for me. Over the past few days, I've been thinking a lot about how I can incorporate this insight into my current workflow. I made some adjustments to the way I would normally work after which I put them to the test. Read on to find out how this turned out.

Offset in the Panama Desert (Printer Light Journal: Part 1)
I found myself very much counteracting the look. The use of heavy pro-mist filters in combination with the uncontrolled light caused the images to be so inconsistent that I created a new problem with each adjustment. I realized that maybe it wasn’t the footage, but my approach that wasn’t working.